Gail Kane (born Abigail Kane; July , â€" February , ) was an American
stage and silent movie actress.Kane was born in Philadelphia,
Pennsylvania. She attended a private school in Newburgh, New York, but
eschewed additional education to become an actress. She became a
dedicated student of the art of pantomime. She stood '" tall, weighed
pounds, and had dark brown hair and eyes.[citation needed]Kane
performed at the Lyceum Theatre in Heap Game Watch in January . She
had a significant role in Seven Keys To Baldpate Astor, which was
staged at the Gaiety Theatre, London, in May . The comedy was brought
to the stage by George M. Cohan. She paired with George Nash in The
Miracle Man at the Astor Theatre. The play was produced on Broadway in
the fall of .Kane acted in a presentation of The Hyphen Knickerbocker
in April . She returned to the stage at the Broadhurst Theatre in July
. She was paired with Earle Fox, another actor who had been spending
much of his time in movies. They appeared in the comedy Come Seven.
The production was an adaptation by Octavus Roy Cohen of stories he
had contributed to The Saturday Evening Post. The play was the first
ever featuring an entirely caucasian cast in black face.
stage and silent movie actress.Kane was born in Philadelphia,
Pennsylvania. She attended a private school in Newburgh, New York, but
eschewed additional education to become an actress. She became a
dedicated student of the art of pantomime. She stood '" tall, weighed
pounds, and had dark brown hair and eyes.[citation needed]Kane
performed at the Lyceum Theatre in Heap Game Watch in January . She
had a significant role in Seven Keys To Baldpate Astor, which was
staged at the Gaiety Theatre, London, in May . The comedy was brought
to the stage by George M. Cohan. She paired with George Nash in The
Miracle Man at the Astor Theatre. The play was produced on Broadway in
the fall of .Kane acted in a presentation of The Hyphen Knickerbocker
in April . She returned to the stage at the Broadhurst Theatre in July
. She was paired with Earle Fox, another actor who had been spending
much of his time in movies. They appeared in the comedy Come Seven.
The production was an adaptation by Octavus Roy Cohen of stories he
had contributed to The Saturday Evening Post. The play was the first
ever featuring an entirely caucasian cast in black face.
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