Adelaide Bishop Family, Real Name, Spouse, Profession, Eye Color, body stats, Feet Size, Wiki

Adelaide Bishop Family, Real Name, Spouse, Profession, Eye Color, body stats, Feet Size, Wiki

Adelaide Bishop ( June â€" June ) was an American operatic soprano,

musical theatre actress, opera director, stage director, and voice

teacher. She began her career appearing in Broadway musicals as a

teenager during the early s. She became a principal soprano with the

New York City Opera (NYCO) in , where she performed through in a

broad repertoire encompassing German, French, Italian, and English

operas from a variety of musical periods. In the late s, she started

working actively as a stage director and as a voice teacher, working

with many opera companies throughout the United States and serving on

the music faculties of several different American universities. She

also served as the artistic director of the Wolf Trap Opera for many

years.Born in New York City, Bishop started studying singing as a

young teenager with various instructors, including Paul Breisach,

Louis Polanski, Rose Landver, and at Luigi Rossini's Rossini Opera

Workshop. She made her Broadway debut at the age of as Fritzi in the

revival of Blossom Time, which ran for a total of performances. She

returned to Broadway in to portray Betty Ellis in the short-lived

musical The Girl From Nantucket with Jane Kean as Dodey Ellis and

Helen Raymond as Keziah Getchel.On October , , Bishop made her

professional opera debut as Blonde in Mozart's Die Entführung aus dem

Serail with the American Opera Company at the Academy of Music in

Philadelphia. The following December, she returned to Broadway as

Gretchen in the revival of Victor Herbert's The Red Mill when the

production moved to the Shubert Theatre from the th Street Theatre. In

January , Bishop returned to Philadelphia to portray Letitia in Gian

Carlo Menotti's The Old Maid and the Thief. The composer attended one

of the performances and was so impressed with Bishop that he contacted

Laszlo Halasz, director of the NYCO, and told him he had to hire her.

This led to her being offered a contract with the NYCO and her debut

with the company as Gilda in Verdi's Rigoletto on April , .After this

point, Bishop's career decidedly oriented away from musical theatre to

opera. Even her two remaining Broadway parts were in opera

productions: the role of Lucia in the United States premiere of

Britten's The Rape of Lucretia () at the Ziegfeld Theatre and Adele in

Johann Strauss II's Die Fledermaus () with the New York City Center

Light Opera Company. She quickly became a favorite at the NYCO during

the late s and went on to portray many lyric soprano roles with the

company through , including The Stepdaughter in the world premiere of

Hugo Weisgall's Six Characters in Search of an Author () and Mary

Stone in the New York premiere of Douglas Moore's The Devil and Daniel

Webster (). Among her many other roles with the NYCO were Gretel in

Humperdinck's Hänsel und Gretel, Liù in Puccini's Turandot, Musetta

in Puccini's La bohème, Norina in Donizetti's Don Pasquale, Olympia

in Offenbach's Les contes d'Hoffmann, Sophie in Richard Strauss's Der

Rosenkavalier, and Susanna in Mozart's Le nozze di Figaro.
Adelaide Bishop Family, Real Name, Spouse, Profession, Eye Color, body stats, Feet Size, Wiki


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