Nicolas Rigas is a French contemporary theatre director,[1][2] actor,
and baritone.[3][4][5]Distinguished at the Talents Cannes [fr][1][6]
in 2002, Rigas plays with Alexandra Lamy in Au suivant![7] and Artus
de Penguern's Gregoire Moulin vs. Humanity.[8]In 2009, on the occasion
of years of the Théâtre du petit monde,[9] he directed Le
Misanthrope ou l'Atrabilaire amoureux with Delphine Depardieu.[10]
Strengthened by this success and recognized for giving "modernity to
the Classics",[11][1] he set up Le Malade imaginaire at the Grandes
Écuries du Château de Versailles [fr][12][13][14] from where he will
make all his new creations: The Barber of Seville (adaptation of
Beaumarchais by Rossini)[15][16] Les Précieuses ridicules[17][11] and
L'École des femmes by Molière associated with Offenbach's the Tales
of Hoffmann.[18][19][1][20]For the reopening of the Algiers Opera
House, he staged Don Giovanni[21][22] which he also sang. He is Haly
in L'italiana in Algeri at the Théâtre des Champs-Élysées with
Marie-Nicole Lemieux under the direction of Roger Norrington[23] of
which the musicology website says: .mw-parser-output
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and baritone.[3][4][5]Distinguished at the Talents Cannes [fr][1][6]
in 2002, Rigas plays with Alexandra Lamy in Au suivant![7] and Artus
de Penguern's Gregoire Moulin vs. Humanity.[8]In 2009, on the occasion
of years of the Théâtre du petit monde,[9] he directed Le
Misanthrope ou l'Atrabilaire amoureux with Delphine Depardieu.[10]
Strengthened by this success and recognized for giving "modernity to
the Classics",[11][1] he set up Le Malade imaginaire at the Grandes
Écuries du Château de Versailles [fr][12][13][14] from where he will
make all his new creations: The Barber of Seville (adaptation of
Beaumarchais by Rossini)[15][16] Les Précieuses ridicules[17][11] and
L'École des femmes by Molière associated with Offenbach's the Tales
of Hoffmann.[18][19][1][20]For the reopening of the Algiers Opera
House, he staged Don Giovanni[21][22] which he also sang. He is Haly
in L'italiana in Algeri at the Théâtre des Champs-Élysées with
Marie-Nicole Lemieux under the direction of Roger Norrington[23] of
which the musicology website says: .mw-parser-output
.templatequote{overflow:hidden;margin:1em 0;padding:0
40px}.mw-parser-output .templatequote
.templatequotecite{line-height:1.5em;text-align:left;padding-left:1.6em;margin-top:0}
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