Marianne Badrichani (Brault-Badrichani) is a Franco-British theatre
maker, director, adaptor, producer and an actors' coach/tutor.With a
background in film production in Paris, she trained at Royal Central
School of Speech and Drama and began directing plays and immersive
performances in London in 2000. Best known for directing new writing
and her adaptations, she has worked with Katie Mitchell, the Young
Vic, the National Theatre, Theatre503 and in the West End.She is a
member of the Cross Channel Theatre Group, an initiative launched by
the French Institute which promotes French new writing in the UK. She
was a resident artist at the French Institute in 2014â€"2016. In 2012,
she started to direct shows in China where she took Cravate
Club/Members Only by Fabrice Roger-Lacan[1][2] then Trois
Ruptures/Three Splits in May 2015.[3]In the last three
years[clarification needed], she has worked on a trilogy of new
adaptations staging playwrights playfully discussing their work with
the characters of their plays (Ionesco/Dinner at the Smiths) or with
their muses (Sacha Guitry, Ma Fille et Moi). After a sell-out run in
London in 2018, Sacha Guitry, Ma Fille et Moi returned to the
Playground Theatre (Notting Hill, London) in January 2019.
maker, director, adaptor, producer and an actors' coach/tutor.With a
background in film production in Paris, she trained at Royal Central
School of Speech and Drama and began directing plays and immersive
performances in London in 2000. Best known for directing new writing
and her adaptations, she has worked with Katie Mitchell, the Young
Vic, the National Theatre, Theatre503 and in the West End.She is a
member of the Cross Channel Theatre Group, an initiative launched by
the French Institute which promotes French new writing in the UK. She
was a resident artist at the French Institute in 2014â€"2016. In 2012,
she started to direct shows in China where she took Cravate
Club/Members Only by Fabrice Roger-Lacan[1][2] then Trois
Ruptures/Three Splits in May 2015.[3]In the last three
years[clarification needed], she has worked on a trilogy of new
adaptations staging playwrights playfully discussing their work with
the characters of their plays (Ionesco/Dinner at the Smiths) or with
their muses (Sacha Guitry, Ma Fille et Moi). After a sell-out run in
London in 2018, Sacha Guitry, Ma Fille et Moi returned to the
Playground Theatre (Notting Hill, London) in January 2019.
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