Violeta Rosa Ester Vidaurre Heiremans (born 12 September 1928), better
known as Violeta Vidaurre, is a Chilean actress with a long television
and theater career, with more than 120 characters played since her
debut.For three decades, Vidaurre established herself as one of the
most important theater actresses in the cast of the Catholic
University's Experimental Theater [es], collaborating with Eugenio
Dittborn, Eugenio Guzmán, Hugo Miller, VÃctor Jara, and the American
Frank McMullan. In 1963, she was summoned to play Laura LarraÃn in La
pérgola de las flores [es] by Isidora Aguirre, replacing Silvia
Piñeiro [es], which quickly became a pop culture sensation. She
achieved success in television with the comedy Juntos se pasa mejor
[es] in 1965, in the family comedy Juani en Sociedad [es] (broadcast
from 1967 to 1972), and in the first television adaptation of MartÃn
Rivas [es] in 1970. After the dictatorship she began to work in
various university productions and independent companies. Suddenly,
she made her way back onto television as a supporting actress in hit
telenovelas such as the comedies Sol tardÃo [es] and La Colorina
(1975â€"1978) by Arturo Moya Grau [es], and in De cara al mañana [es]
(1982) by MarÃa Elena Gertner.She has also performed in emblematic
telenovelas such as La represa [es], La torre 10 [es], La dama del
balcón [es], La Villa [es], Mi nombre es Lara [es], A la sombra del
ángel [es], Amor a domicilio [es], Adrenalina [es], A todo dar [es],
Romané, Pampa Ilusión, and El circo de las Montini [es].In 2015, she
was the only woman to be a candidate (out of five selected) for the
National Prize for Performing and Audiovisual Arts, whose winner was
actor Héctor Noguera. In the same year, she received several tributes
and recognitions for her vast career in the performing arts.
known as Violeta Vidaurre, is a Chilean actress with a long television
and theater career, with more than 120 characters played since her
debut.For three decades, Vidaurre established herself as one of the
most important theater actresses in the cast of the Catholic
University's Experimental Theater [es], collaborating with Eugenio
Dittborn, Eugenio Guzmán, Hugo Miller, VÃctor Jara, and the American
Frank McMullan. In 1963, she was summoned to play Laura LarraÃn in La
pérgola de las flores [es] by Isidora Aguirre, replacing Silvia
Piñeiro [es], which quickly became a pop culture sensation. She
achieved success in television with the comedy Juntos se pasa mejor
[es] in 1965, in the family comedy Juani en Sociedad [es] (broadcast
from 1967 to 1972), and in the first television adaptation of MartÃn
Rivas [es] in 1970. After the dictatorship she began to work in
various university productions and independent companies. Suddenly,
she made her way back onto television as a supporting actress in hit
telenovelas such as the comedies Sol tardÃo [es] and La Colorina
(1975â€"1978) by Arturo Moya Grau [es], and in De cara al mañana [es]
(1982) by MarÃa Elena Gertner.She has also performed in emblematic
telenovelas such as La represa [es], La torre 10 [es], La dama del
balcón [es], La Villa [es], Mi nombre es Lara [es], A la sombra del
ángel [es], Amor a domicilio [es], Adrenalina [es], A todo dar [es],
Romané, Pampa Ilusión, and El circo de las Montini [es].In 2015, she
was the only woman to be a candidate (out of five selected) for the
National Prize for Performing and Audiovisual Arts, whose winner was
actor Héctor Noguera. In the same year, she received several tributes
and recognitions for her vast career in the performing arts.
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