Joseph-Arthur Homier (born Montreal, 1875â€"died Montreal, 1934) was
the first director of feature-length films in Quebec. A renowned
professional photographer and amateur playwright, in 1922 Homier
directed Oh! Oh! Jean, a slapstick comedy about a servant who courts a
widow. The film's success enabled Homier to found the Le Bon Cinéma
National company, which in 1922 produced his next film, Madeleine de
Verchères, an epic historical drama written by his 18-year-old
collaborator Emma Gendron, a Montréal journalist. Filmed in
Kahnawake, the film tells the story of the celebrated 17th century
Quebec heroine, Madeleine de Verchères.Homier changed the name of his
company to Le Cinéma Canadien, set up a studio in Montreal, and,
working again with Gendron, made La drogue fatale (1923), a drama
about the social harm caused by drugs. Although he made English and
French versions of this film, he was not able to cover his expenses.
As with his earlier efforts, the film was well received but generated
little profit because of its limited distribution in Quebec. As a
result, Homier abandoned cinema and devoted himself to photography.
the first director of feature-length films in Quebec. A renowned
professional photographer and amateur playwright, in 1922 Homier
directed Oh! Oh! Jean, a slapstick comedy about a servant who courts a
widow. The film's success enabled Homier to found the Le Bon Cinéma
National company, which in 1922 produced his next film, Madeleine de
Verchères, an epic historical drama written by his 18-year-old
collaborator Emma Gendron, a Montréal journalist. Filmed in
Kahnawake, the film tells the story of the celebrated 17th century
Quebec heroine, Madeleine de Verchères.Homier changed the name of his
company to Le Cinéma Canadien, set up a studio in Montreal, and,
working again with Gendron, made La drogue fatale (1923), a drama
about the social harm caused by drugs. Although he made English and
French versions of this film, he was not able to cover his expenses.
As with his earlier efforts, the film was well received but generated
little profit because of its limited distribution in Quebec. As a
result, Homier abandoned cinema and devoted himself to photography.
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