Lyudmila Erarskaya (Russian: Людмила Ð'ладимировна
ÐÑ€Ð°Ñ€Ñ ÐºÐ°Ñ , 1890â€"1964), was a Russian actress who performed
from the pre-revolutionary period until her death in Moscow in 1964.
She was an associate and friend of some of the most noted
intellectuals of her era and was most known for her relationship with
and inspiration of poems by Sophia Parnok.Lyudmila Vladimirovna
Erarskaya was a Russian actress who worked in the Moscow theater
created by N. K. Nezlobina, in pre-Revolutionary Russia. She was the
lover-muse of poet Sophia Parnok from 1916 to 1926, and the
inspiration for Parnok's adaptation of the libretto, Almast. During
the war years, she and Parnok lived in the Crimea in the town of Sudak
and Erarskaya staged productions to entertain the intellectual
community who were living there, such as Adelaida Gertsyk, Eugenia
Gertsyk, Alexander Spendiarov, and Maximilian Voloshin. She also
joined the Federal Art Workers Union, becoming its secretary, while
simultaneously heading the theater section for the Ministry of
Education in Sudak. She staged benefits for the Sudak High School and
performed plays written by the community for the soldiers fighting in
the area. Returning to Moscow in 1921, she suffered a serious bout of
tuberculosis in 1923 and in January 1925, suffered a mental breakdown
and was hospitalized for a year. By the time of her release, she had
developed a friendship with Parnok's friend, Olga Tsuberbiller which
would last throughout her life. From the 1930s until her death,
Erarskaya performed at the Moscow Puppet Theater. She was the sister
of the opera singer, Vera Erarskaya (Russian: Ð'ера
Ð'ладимировна ÐÑ€Ð°Ñ€Ñ ÐºÐ°Ñ ).
ÐÑ€Ð°Ñ€Ñ ÐºÐ°Ñ , 1890â€"1964), was a Russian actress who performed
from the pre-revolutionary period until her death in Moscow in 1964.
She was an associate and friend of some of the most noted
intellectuals of her era and was most known for her relationship with
and inspiration of poems by Sophia Parnok.Lyudmila Vladimirovna
Erarskaya was a Russian actress who worked in the Moscow theater
created by N. K. Nezlobina, in pre-Revolutionary Russia. She was the
lover-muse of poet Sophia Parnok from 1916 to 1926, and the
inspiration for Parnok's adaptation of the libretto, Almast. During
the war years, she and Parnok lived in the Crimea in the town of Sudak
and Erarskaya staged productions to entertain the intellectual
community who were living there, such as Adelaida Gertsyk, Eugenia
Gertsyk, Alexander Spendiarov, and Maximilian Voloshin. She also
joined the Federal Art Workers Union, becoming its secretary, while
simultaneously heading the theater section for the Ministry of
Education in Sudak. She staged benefits for the Sudak High School and
performed plays written by the community for the soldiers fighting in
the area. Returning to Moscow in 1921, she suffered a serious bout of
tuberculosis in 1923 and in January 1925, suffered a mental breakdown
and was hospitalized for a year. By the time of her release, she had
developed a friendship with Parnok's friend, Olga Tsuberbiller which
would last throughout her life. From the 1930s until her death,
Erarskaya performed at the Moscow Puppet Theater. She was the sister
of the opera singer, Vera Erarskaya (Russian: Ð'ера
Ð'ладимировна ÐÑ€Ð°Ñ€Ñ ÐºÐ°Ñ ).
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